Watching ‘Our Planet,’ Where the Predator Is Us


One of the hallmarks of a past generation’s nature documentaries was the animal-in-peril scene: the cub hunted by the jungle cat, the fledgling teetering at the edge of its nest.

It was like the terror of a thrill-park ride, one that usually came with the implicit knowledge of safeguards and constraints. In the end, the adorable creature would survive. This was the compact. The animal that you liked would be O.K. After all, this was TV.

There is one of those scenes in the second episode of “Our Planet,” the remarkable docu-series on Netflix. But now the compact is gone. A teeming colony of walruses is crammed at the edge of eighty-meter cliffs along the coast of Russia, where climate change has melted away the sea ice. Not evolved to navigating the precarious surfaces, one walrus falls, and another, and another, their massive bodies slamming onto the rocky beach.

They do not, most of them, get up and shake it off. Their broken bodies litter the shore. This is the resounding message of “Our Planet”: It will not, necessarily, be O.K. And humans — the unpictured but omnipresent part of “our” in “Our Planet” — are the reason.

It’s awe-inspiring and easy on the eyes. Leafcutter ants pour over the rain forest like an armada of green-masted ships. An orangutan flips through the tree canopy to a jaunty caper-movie soundtrack. Dolphins athletically catch flying fish, which spew from the waters in a Busby Berkeley production circle. Kelp tower in a fantasy undersea forest like something off the cover of a progressive-rock album.

Mute the narration, and you could be watching the same screensaver art pageantry of a dozen past nature series. But the form of the episodes introduces this program’s mission. Each installment is about the web of life in a place — how the food chain that sustains a Siberian tiger begins with pine cones on a forest floor, how life in a river depends on steam rising from trees hundreds of miles away. Disrupt one part — raise the temperature, plant crops in a rain forest — and you disrupt them all.

“One Planet” appeals to the sense of wonder as viscerally as any of its predecessors, but to a purpose. Here is this beautiful, rare thing, each episode says. It didn’t used to be rare! But it is now. And here is how we’re responsible. And here is a tangible thing we might do to fix it. The arc of each installment runs from beauty to loss to a concrete, hopeful example of a battered ecosystem that’s recovered.

The series steers between didacticism and denialism with the narration of David Attenborough, the 92-year-old veteran of nature filmmaking. The familiar wonder and mirthfulness of his voice has a note of rueful loss. He carries his kindly-professor authority quietly. He’s not angry with us, just disappointed.

The understatement is potent. Attenborough describes a mating scene in a lush Madagascar jungle with typical verve, then drops a bomb: “Since these pictures were recorded, this forest, and the unique life it once contained, have disappeared altogether.” That celebration of life you thought you were just watching was, in fact, a funeral.

His voiceover is paired with images of destruction that are as breathtaking in scale as any mass migration footage. Satellite images of verdant green shrink to desiccated brown over and over. The rain forests episode closes with an aerial image of the wild Amazon tree canopy butting up against a homogeneous sea of agricultural palms, as sterile and monotonous as a computer-generated pattern.



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